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Meet The Artist

Meet The Artist: Andy Phillipson

Regular guests of the Chamäleon have surely already encountered his work: For many years, Andy Phillipson has been capturing the special moments of our productions in photographs. He usually comes to Berlin during the preview period of a show to photograph three to four performances and the rehearsals surrounding them, and we are always delighted to welcome him.

Andy was born in the north-east of England, but for the last 25 years has lived in Edinburgh, working as a freelance photographer. Andy’s favourite thing is to photograph New Circus.

In our Meet The Artist, we would like to learn more about him and his work as a photographer – so let’s meet Andy!

Vor einem beigen Hintergrund macht eine Künstlerin eine Pose in der Luft. Ihre Arme sind nach oben ausgestreckt und ihre Beine angewinkelt.Photo: Andy Phillipson

Hi Andy, when was the first time you worked with the Chamäleon, and how did it feel for you?

The first time I worked with the Chamäleon was 15 years ago – it felt new, exciting but a little bit daunting, it was also very hot – what I now know to be a typical Berlin summer. I was made to feel at home very quickly and the adventure began. The first show I photographed was Soap.

Eine Badewanne vor schwarzem Hintergrund. Ein männlich gelesener Mensch sitzt in der Badewanne, die Arme sind mittig verschränkt auf dem Rand und er legt den Kopf auf den Händen ab. Über ihm steht ein weiblich gelesener Mensch mit gespreizten Beinen, die auf beide äußeren Enden der Wanne gestützt sind. Die Frau hat ihren Kopf auf ihre Hand gestützt und ihren Ellbogen auf den Kopf des Mannes unter ihr. Über beide Menschen spritzt ein Wasserstrahl. Photo: Andy Phillipson

Has anything changed ever since?

None of those things have changed other than Summer is even hotter now – if anything, the excitement increases with each visit I make as New Circus evolves. What has developed is my relationship with the Chamäleon and all of the people who work there. It’s a wonderful feeling to come ‘Home’ every time.

How would you describe your style of photography?

I like to think it’s quite naturalistic and that it carries a sense of quietude, it can be quite abstract and sometimes characterised by motion – I love a blurred image. When it comes to Circus I like my pictures to be clean – with no distractions, in tone I vary between them being very direct or very elusive without much in between.

Photo: Andy Phillipson

What is it like to photograph contemporary circus? In terms of technique, what do you have to pay particular attention to?

In a word – amazing. Just to run away with the circus is a thrill in itself but to find little pieces of magic with my cameras can literally make my heart skip a beat. Technically it can be a real challenge with low or constantly changing light levels combined with fast-moving subjects, I have to think incredibly quickly – almost instinctively. I am often breathless mentally in the immediate aftermath of a show.

Vor einem schwarzen Hintergrund machen Künstler*innen Hand auf Hand Akrobatik. In der Mitte ist eine weiblich gelesene Frau im Spagat-Handstand auf den Händen von einer anderen weiblich gelesenen Künstlerin. Das Bild dieser zwei Frauen ist in der rechten Bildseite dupliziert. In der linken Bildhälfte ist eine weitere weiblich gelesene Künstler*in im Spagat-Handstand auf den Händen einer weiteren Person.Photo: Andy Phillipson

Can you describe what it`s like to work with so many artists?

It’s been a privilege over the years to work close-up with some of the world’s most talented performers, I am constantly amazed by the dedication, talent and good humour of them all – it’s what makes my job such a pleasure. It’s great fun to work artists I have previously worked with and it’s been fascinating to watch careers blossom over the years. It’s also great to meet and work with new artists and companies as they become part of the community.

Showfotgrafie von A Simple Space. Die Künstler*innen stehen im Handstand im Kreis vor einem schwarzen Hintergrund. Viele bunte Bälle fliegen ums sie herum.Photo: Andy Phillipson

What else does your artistic work include besides show photography?

I work with a lot of artists and galleries back in Edinburgh and have photographed thousands of pieces of art. I am lucky to have worked with most of Scotland’s best known painters and sculptors and have seen some amazing things, it’s a privilege to get to visit studios and storerooms that most people will never see. I am also working on a few personal projects so watch this space.

Der Hintergrund ist oben weiß und verläuft nach unten hin ins Schwarze. In der Mitte der Fotografie sind die Silhouetten von zwei Menschen, die einander zugewandt sind. Oben links sind die Silhouetten von zwei fliegenden Vögeln.Photo: Andy Phillipson

Can you share some other things you do like to photograph?

I love meeting and connecting with people and a camera provides a really good way to do that, I love going somewhere like Naples to take pictures for that reason.  I find a lot of truth in taking photos of normal people doing everyday things, for me it’s where the heart of humanity lies.

Ein Schwarz-Weiß-Foto. In einem Auto sitzt eine ältere männlich gelesene Person am Steuer und schaut nach links frontal in die Kamera.Photo: Andy Phillipson

What inspires you?

Not knowing what you will find around the next corner or who you might meet tomorrow, the expectation that there will be new things to ‘see’. A desire to take better pictures and find new ways of seeing things is always an inspiration too.

Photo: Andy Phillipson

What do you like to do besides photography?

I love going to art galleries – Berlin has some fantastic ones, you can often find me wide-eyed in the Gemäldegalerie or Alte Nationalgalerie. Playing Frisbee is probably my other favourite thing to do along with driving my vintage MX5 around with the roof down. I also love to talk to dogs and to wear sunglasses.

In der Mitte steht ein männlich gelesener Mensch. Er steht mit dem Rücken zum Fotografen. Er befindet sich in einem Marktstand.Photo: Andy Phillipson

Are there moments you do especially like to remember at the Chamäleon?

I have so many fond memories of the Chamäleon but one abiding one is of Circa’s Billie Wilson-Coffey after a show teaching me to run with a tiny hand-made paper propeller spinning on the end of my finger held on solely by air resistance back and forward through the theatre. Priceless!

The general memory I take away every time is of the amazing people who work at Chamäleon and who generate so much warmth between it’s walls.

 

Photo: Andy Phillipson

You can check out more of Andy’s work here – www.livewireimage.com

You can find Andy on Instagram and Facebook under @andyphillipsonphotography.