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Kintsugi

2026 sees one of Canada’s most exciting contemporary circus companies, Machine De Cirque, make their Chamäleon debut with one of their most ambitious works, Kintsugi.

Drawing inspiration from the Japanese art of kintsugi, in which broken ceramics are repaired with gold to emphasise how we are made stronger and more beautiful by our damage, the show stretches the boundaries of circus storytelling.

An ensemble of nine brilliant acrobats gathers at a purgatory-like bus stop, all trying to leave something behind but unsure of where to go next. Over the course of a day and a night, they must find a way forward together, unpacking the complexities of their individual histories before collectively meeting a new dawn.

Set in a dreamlike landscape that flits between past and present, a myriad of circus disciplines interact, showcasing both individual brilliance and collective innovation. Haunting, playful, ethereal and ultimately deeply uplifting, this is a show to reinforce your sense of wonder in an oftentimes difficult world.

Age recommendation: 12+
Language: none
Duration: 110 Minutes including one intermission

Content Note:
Particularly the first part of the piece deals with a range of themes including grief, the inability to have children, addiction and illness.
The production contains rapid changes in lighting, including a moment with strobe lighting, as well as haze effects and moments with loud music. Haze may reach audience members seated in the first two rows. We ask that anyone who is sensitive to stage haze take this into account when choosing their seats.

Supporting Programme

All information about our supporting programmes can be found here.

Dates

German Sign Language
Thursday, 24 September 2026, 8:00 pm Performance with DGS and mobile hearing loops.
Thursday, 15 October 2026, 8:00 pm Performance with DGS and mobile hearing loops.

Live-Audio Description (German)
Sunday, 15 November 2026, 6:00 pm Performance with Live-Audio Description and tactile guidance.
Thursday, 03 December 2026, 8:00 pm Performance with Live-Audio Description and tactile guidance.

Audience Talk
As part of the international circus festival “Zeit für Zirkus,” we will host a discussion on November 15, 2026:

“Narrative Circus: how does story work within contemporary circus?”

Part of what makes circus so accessible is its ability to explore deep themes nonverbally. But how does contemporary circus engage with narrative storytelling? Join us following the performance for an explorative discussion with some of the cast members of Kintsugi hosted by Chamäleon dramaturg Geordie Brookman.

The conversation will take place in English with limited translation available for questions. Duration 30 minutes.

Credits

Produced by Machine de Cirque
Supported by Chamäleon Berlin

Stage Director: Olivier Lépine
Artistic Direction: Vincent Dubé
Technical Direction (Creation): Patrick Paquet
Costume Design: Sébastien Dionne
Costume Design for Replacement Cast: Geneviève Bouchard
Set Design: Julie Lévesque
Original Music: Josué Beaucage
Lighting Design: Olivier Lépine
Hero Image: Emmanuel Burriel
Photos: Andy Phillipson

Original Creation Cast: Maude Arseneault, Ariel Cronin, Damien Descloux, Raphaël Dubé, Anne-Marie Godin, Vladimir Lissouba, Évelyne Paquin-Lanthier, Naomie Vogt Roby
Berlin Cast: Maude Arseneault, Emilia Dawiec, Todd Degnan, Clémence De Luca, Damien Descloux, Katherina Dzialas, Francis-Olivier Girard, Marie-France Huet , Naomie Vogt Roby


Project supported by funds from the Berlin Senate Department for Culture and Community

We would like to thank for the support

Logos Canada Council for the Arts, Vertretung der Regierung von Quebec, Ville de Quebec

Press Quotes

Berliner Morgenpost

The version, specially expanded for its debut at the Chamäleon, confronts life’s hardships in such poetic images that it leaves a lasting impression… A magnificent show!

Le Journal de Montréal

Kintsugi opens the door to an entirely different universe. The troupe expands its
playground. Brilliant

Le Soleil

Circus, by its very nature, has the power to surprise and impress audiences. But Kintsugi captivated the spectators on an entirely different level

Danses avec la Plume

It’s not just about dazzling us with dazzling acts, but also and above all about telling us a story that comes to touch us at the deepest level

La Provence

Rhythmically, the story builds to a powerful climax, (…) The whole constantly oscillates between suspense, torment and exhilaration

About the Company

Machine de Cirque was founded in Québec, Canada, in 2013 and staged its first production of the same name two years later, which won the Charlie Chaplin Trophy at the International Circus Festival in Vaudreuil-Dorion. Since then, the ensemble has enjoyed increasing success with every production and has become a company of international renown; the group has now performed its productions more than 2000 times across Europe, Asia and North America. In Germany, Machine de Cirque has performed several times at the GOP Varieté Theatre. In 2017, Vincent Dubé, as artistic director, won the International Outreach Award from the Cultural Council of Québec and Chaudière-Appalaches. In 2019, the ensemble was awarded the prestigious Prix Ville de Québec.

Cast

  • Black-and-white close-up by the artist Maude Arseneault

    Maude Arseneault

    she/her – banquine, teeterboard, perch & Chinese pole

    Black-and-white close-up by the artist Maude Arseneault

    Maude Arseneault

    she/her – banquine, teeterboard, perch & Chinese pole

    Coming from a background in gymnastics and a graduate of the National Circus School of Montreal (2012), Maude has collaborated with several renowned companies, including Cirque Éloize, The 7 Fingers, Cirque du Soleil, and Machine de Cirque. Originally trained in Chinese pole, she has also built strong expertise in teeterboard and pole acrobatics, the latter having become a key discipline in her artistic journey. Recognized for her authenticity, versatility, and precision, Maude brings both her performance artistry and her organizational skills to various aspects of the circus world. She has been part of several original productions, including Kintsugi, in which she revisits her character with a renewed sensitivity inspired by her recent experience of motherhood.

  • Black and white close-up by the artist Emilia Dawiec

    Emilia Dawiec

    she/her – hair-hanging & arial hoop

    Black and white close-up by the artist Emilia Dawiec

    Emilia Dawiec

    she/her – hair-hanging & arial hoop

    A versatile performer, Emilia Dawiec is a Polish professional circus artist and dancer whose work bridges strength, grace, and playful imagination. She graduated from the École Supérieure des Arts du Cirque (ÉSAC) in Brussels in 2024 with a Bachelor’s degree in Circus and Performing Arts, after earning a Bachelor’s degree in Dance Pedagogy from the Academy of Humanistic and Economic Studies in Łódź, Poland, in 2022. Specializing in aerial hoop and hair suspension, Emilia creates a distinctive blend of technical precision, musicality, and whimsical characters. Her performances combine refined physical artistry with expressive storytelling, inviting audiences into her unique world of movement and emotion. Emilia has performed internationally with renowned companies and productions, including Cirque du Soleil (‘Twas the Night Before…, 2025, West Palm Beach & New York City), Back Pocket (Brussels, Belgium), Urbanatix (Essen, Germany), Le Monastère (Montréal, Canada), Lassu (Perth, Australia – Fringe Festival), and Wintergarten (Berlin, Germany).

  • Black-and-white close-up by the artist Todd Degnan

    Todd Degnan

    he/him – partner and group acrobatics

    Black-and-white close-up by the artist Todd Degnan

    Todd Degnan

    he/him – partner and group acrobatics

    Todd “Ted” Degnan is an American porter born and raised in New York, with a very atypical path to circus. After completing a business degree at Bryant University, he spent three years living, working, and traveling in Ethiopia and across East Africa. Upon returning to the United States, driven by his love of challenges, learning, adventure, and community, he discovered his passion for circus and began his professional career. Since then, Todd has performed with both American and international companies at shows and festivals around the world. A multidisciplinary artist specializing in partner and group acrobatics, he thrives on collaboration, constantly pushing creative boundaries while bringing energy, playfulness, and generosity to the stage. Todd has previously collaborated with Machine de Cirque on the productions Kintsugi and Changes, and is thrilled to continue this artistic journey with the company.

  • Black-and-white close-up by the artist Clemence DeLuca

    Clémence De Luca

    she/her – duo-trapeze, banquine & aerial rope

    Black-and-white close-up by the artist Clemence DeLuca

    Clémence De Luca

    she/her – duo-trapeze, banquine & aerial rope

    Clémence discovered the circus at a young age in a small school on the outskirts of Paris, where a weekly class soon became a defining ritual. As she attended more performances, a clear vision emerged: the circus could become her profession. She went on to study in the circus-focused program at the Châtellerault high school before training at the École de cirque de Québec and then at the École Nationale de Cirque in Montreal, where she specialized in hand-to-hand acrobatics. Driven by curiosity, Clémence constantly seeks to expand her artistic language. Theater, dance, clowning, and new circus disciplines all feed her desire to explore, transform, and play. Above all, she thrives on stage, where discovery and expression meet.

  • Black-and-white close-up by the artist Damien Descloux

    Damien Descloux

    he/him – acrobatic ball, acro-danse & teeterboard

    Black-and-white close-up by the artist Damien Descloux

    Damien Descloux

    he/him – acrobatic ball, acro-danse & teeterboard

    A versatile acrobat, Damien Descloux trained at three internationally renowned circus schools: the National Circus School of Châtellerault in France, the FLIC Scuola di Circo di Torino in Italia, and the Quebec Circus School in Canada. Through this training, he developed a solid mastery of numerous disciplines, including handstands, hand-to-hand acrobatics, teeterboard, ground acrobatics, balance ball, and aerial cradle. Today, he distinguishes himself through his ability to perform with ease and creativity in these diverse disciplines, affirming his identity as a complete artist.

  • Black-and-white close-up by the artist Katherina Dzialas

    Katherina Dzialas

    she/her – duo trapeze and Icarian games

    Black-and-white close-up by the artist Katherina Dzialas

    Katherina Dzialas

    she/her – duo trapeze and Icarian games

    Tinka is a circus artist specializing in duo trapeze and Icarian games. A graduate of DOCH (SKH) in Stockholm, she has developed a physical language that combines precision, trust, and deep listening through collaborative contemporary creations. Her work explores risk, connection, and weight-sharing in a thoughtful and deeply engaged approach to movement. As the porter in an all-female duo, her practice also quietly challenges the traditional roles historically assigned to women in physically demanding circus disciplines. Driven by a strong desire to learn and continuously evolve as an artist, Tinka enjoys creating encounters between different disciplines, developing work that is vibrant, embodied, and poetic.

  • Black-and-white close-up by the artist Francis-Olivier-Girad

    Francis-Olivier Girard

    he/him – hand-to-hand & banquine

    Black-and-white close-up by the artist Francis-Olivier-Girad

    Francis-Olivier Girard

    he/him – hand-to-hand & banquine

    Formerly an acrobatic gymnast and a graduate from the École de Cirque de Québec (ECQ) in 2020, Francis has developed over the years a passion for throwing people around and catching them. It’s this same passion for hand-to-hand and group acrobatics, that he’s had since he was a teenager, that has led him to work in many countries for companies such as Flip Fabrique, Les Productions Haut-Vol and Machine de Cirque, with his partner Marie France. Although he is mainly a hand-to-hand porter, he has a lot of experience in banquine, floor acrobatics and club passing. He also loves singing and dancing, you can ask people around him: he always has a song stuck in his mind and a couple of dance moves up his sleeve, ready to show off!

  • Black-and-white close-up by the artist Marie-France

    Marie-France Huet

    she/her – hand-to-hand, teeterboard & banquine

    Black-and-white close-up by the artist Marie-France

    Marie-France Huet

    she/her – hand-to-hand, teeterboard & banquine

    Originally from Quebec, Marie-France discovered acrobatics at a young age—a playground that quickly became her language. After a formative experience in competitive cheerleading, she naturally gravitated toward the circus arts and continued her training at the École de cirque de Québec, graduating in 2020 in hand-to-hand acrobatics alongside her partner Francis-Olivier. A curious and dedicated artist, she stands out for her versatility: hand-to-hand, banquine, teeterboard, juggling—disciplines she approaches with both precision and generosity. She has performed in Canada, the United States, and Switzerland with companies such as Flip Fabrique, Cirque Starlight, and Les Productions Haut-Vol. Driven by a deep love of collective work, Marie-France thrives in connection, shared momentum, and in her unique way of making acrobatics resonate through others.

  • Black-and-white close-up by the artist Naomie-Vogt-Roby

    Naomie Vogt Roby

    she/her – banquine, perch & Chinese pole

    Black-and-white close-up by the artist Naomie-Vogt-Roby

    Naomie Vogt Roby

    she/her – banquine, perch & Chinese pole

    Naomie Vogt Roby is an international circus artist who comes from a circus family. From a young age, she travelled throughout France alongside performers and big tops. She played the lead role in the feature film Le Parc by Damien Manivel, which was presented at the Cannes Film Festival in 2016.
    She trained at the Châtellerault Circus School and later at the École de Cirque de Québec, specializing in Chinese pole and Cyr wheel. She graduated in 2020 at the age of 21. Naomie began her professional career with Cirque Éloize, then completed a six-month European tour with the collective Cirque Entre Nous. She later joined Machine de Cirque for the creation of a new show and several other projects. She regularly returns to visit her family at Cirque Octave Singulier, where her journey first began.

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